Artist: Raul Seixas
Genre(s):
Latin
Pop
Rock
Other
Discography:
Raul Seixas - Os 24 Maiores Sucessos da Era do Rock
Year: 2001
Tracks: 11
A Panela Do Diabo
Year: 1989
Tracks: 11
Metamorfose Ambulante
Year: 1988
Tracks: 11
A Pedra Do Genesis
Year: 1988
Tracks: 10
Uah-Bap-Lu-Bap-Lah-Bein-Bum
Year: 1987
Tracks: 9
Caroco de Manga
Year: 1987
Tracks: 12
Camisa de Venus - Duplo Sentido
Year: 1987
Tracks: 17
Raul Rock Vol. 2
Year: 1986
Tracks: 11
Caminhos
Year: 1986
Tracks: 11
Let Me Sing My Rock'n'Roll
Year: 1985
Tracks: 12
![Unico E Exclusivo [Ao Vivo]](http://img.mp3fiesta.com/covers/20/20997/alb_87198_th.jpg)
Unico E Exclusivo [Ao Vivo]
Year: 1984
Tracks: 9
Metro Linha 743
Year: 1984
Tracks: 10
Raul Seixas
Year: 1983
Tracks: 13
Os Grandes Sucessos de Raul Seixas
Year: 1983
Tracks: 14
O Segredo Do Universo
Year: 1983
Tracks: 10
O Pacote Fechado De Raul Seixas
Year: 1983
Tracks: 13
Colecao Eldorado: Raul Vivo
Year: 1983
Tracks: 18
Carimbador Maluco
Year: 1983
Tracks: 13
A Arte de Raul Seixas
Year: 1982
Tracks: 22
O melhor de Raul Seixas
Year: 1981
Tracks: 12
Abre-Te Sesamo
Year: 1980
Tracks: 12
Por Quem Os Sinos Dobram
Year: 1979
Tracks: 9
Mata Virgem
Year: 1979
Tracks: 10
O Dia Em Que a Terra Parou
Year: 1978
Tracks: 10
Raul Rock Seixas
Year: 1977
Tracks: 10
Ha 10 Mil Anos
Year: 1976
Tracks: 11
O Medo da Chuva
Year: 1975
Tracks: 4
Novo Aeon
Year: 1975
Tracks: 13
Gita
Year: 1974
Tracks: 12
Os 24 Maiores Sucessos Da Era Do Rock
Year: 1973
Tracks: 10
O Rebu
Year: 1973
Tracks: 14
Krig-ha Bandolo
Year: 1973
Tracks: 11
Sociedsde da gr Ordem Kavernista apresenta Sessio da dez
Year: 1971
Tracks: 12
Raulzito E Os Panteras
Year: 1967
Tracks: 12
Raul Seixas was a central rock 'n' roll musician in Brazil. Along with his expressive discography, whose hits preserve to be re-recorded by Caetano Veloso, Margareth Menezes, and others, Seixas' part in continuing the work of establishing the foundation of Brazilian rock candy was of first-class honours degree importance.
Influenced by João Gilberto, Luiz Gonzaga, and rockers Bill Haley and Elvis Presley (whose albums were lent to him by some friends wHO worked at the American Consulate in Salvador), Seixas formed a band called the Panthers (after Os Panteras) in 1959. The rock candy quartet (guitar, bass, drums, lead vocals by Seixas) was the first to utilise electric instruments in Salvador, playing a crazy motley of rock'n'roll and baião, with interpretations of Luiz Gonzaga tunes. The surreal performances were felt as a real danger to parents wHO banned their children from attendance. The band translated the Jovem Guarda palpate in Bahian footing, just Seixas didn't take it too in earnest, enrolling in college courses of philosophy, law, and psychology. He took contact with anti-psychiatry, abandoned all those courses, and matrimonial an American daughter wHO was the girl of a Protestant sermonizer. His wife used to be the head of the family line, educational activity English for a living patch he victimised to run Salvador in the sunup on a bike bought with the money saved by her to buy an apartment, since they had to live with Seixas' household. In 1967, Jerry Adriani did a live performance in Salvador, at which he was accompanied by the Os Panteras. Loving the group's sound, Adriani positive them to move to Rio, where they recorded through Odeon their first LP, Raulzito e os Panteras, where Seixas explored metaphysical questionings and the 7 Aristotelian questions. Needless to read, the record album was altogether neglected by the public. Adriani and so took Seixas to CBS, where Seixas produced albums by Trio Ternura, Osvaldo Nunes, Renato e seus Blue Caps, Adriani, Wanderléia, and all the iê-iê-iê (the sobriquet of English rock candy in Brazil, after "She loves you, yeah, yeah") gang. It was and so when Seixas hired deuce novices from Bahia, Sérgio Sampaio and Edith Cooper. Together with Miriam Batucada, they recorded an record album called Sociedade da Grã-Ordem Kavernista Apresenta a Sessão Das Dez. The album, strongly observational, amalgamated jazz and marchinhas and dealt philosophically with chaos, was retracted by CBS short afterward its discharge and Seixas was right away fired. The fire was also due to Seixas' highly influential execution at the 7th International Song Festival (FIC) in 1972 with "Allow Me Sing, Let Me Sing" and "Eu Sou eu, Nicuri é o Diabo." CBS didn't want to bear a producer wHO was likewise a lead. But the carrying out implanted Seixas in a focal position regarding stone & roll up done in Brazil, both for its lovers and detractors. That same year, he was hired by Philips, recording the LP Os 24 Grandes Sucessos da Era do Rock, beingness credited only as producer and transcriber. In 1975, when Seixas was already famous, the record album was re-released as 20 Anos de Rock, right away with Seixas' due deferred payment as a performing artist. Around this period, Seixas became friends with internationally successful esoteric writer Paulo Coelho, after a imagination of a flying saucer in the Barra da Tijuca shared out by both. Coelho would participate in nigh of Seixas' future hits. In 1973, the second LP, Krig-ha, Bandolo, brought Seixas' number 1 vainglorious hit as interpretive program, "Ouro de Tolo." The album besides had other important songs, such as "Al Capone," "Mosca na Sopa," and "Metamorfose Ambulante." The duo besides produced unrivaled reach later on another with "Gitâ" (from the eponymous LP from 1974), "Tente Outra Vez" (from Novo aeon, 1975), "Eu Nasci Há dez Mil Anos Atrás" (1976), "Maluco Beleza," and "O Dia Em que a Terra Parou" (the latter 2 from the number one WEA album O Dia Em que a Terra Parou, 1977, the latter seemly the anthem of hippiedom in Brazil).
His eight subsequent LPs, disruptive by his patronize changes of transcription labels and health problems due to involvement with drugs and alcohol, had the hits "Como Vovô Já Dizia" (1975), "Rock Das Aranha" (1980), "Rodeo rider Fora-Da-Lei" (1987), "Capim-Guiné," and "Carimbador Maluco" (1983, the latter having been included in the children's musical Plunct, Plact, Zuum of TV Globo). In 1989, Seixas became pardner of Marcelo Nova, a longtime adorer and adherent wHO had formed and dissolved the kindling rock chemical group Camisa de Vênus. The album Panela do Diabo, released that year through and through Warner, brought a weakened Seixas, wHO would be more and more asthenic by the subsequent turn. His death in August of the same yr hadn't wasted the fervour of his legion of fans. He was the number 1 Brazilian creative person to have an LP organized and released by a fan nightclub, the 1985 compiling Let Me Sing My Rock-and-Roll was of rare recordings (which was later re-released by Polygram as Caroço de Manga). His songs were re-recorded by, among others, Caetano Veloso ("Ouro de Tolo"), Irmãs Galvão ("Tente Outra Vez"), Margareth Menezes ("Mosca na Sopa"), Deborah Blando ("A Maçã"), and RPM ("Gitâ"). In commemorating the 50-year day of remembrance of his birth in 1995, the book O trem hyrax Sete (Nova Sampa) was released and his number 1 LP, Sociedade Grã-Kavernista Apresenta Sessão hyrax Dez, was re-released in CD format.
