Mp3 music: Chixdiggit

Artist: Chixdiggit: mp3 download    Genre(s):  Rock: Punk-Rock     Chixdiggit's discography:      From Scene To Shining Scene    Year: 2000    Tracks: 11      Born On The First Of July    Year: 1998    Tracks: 12 Originally victimization the future stripe sobriquet only as an let off to sell T-shirts with "Chixdiggit!" in punk metallic element logos, these guys figured that they should at least begin a grouping with that constitute. So in 1991, without any musical feel or power to say music, Mark O'Flaherty (guitar), K.J. Jansen (vocals/guitar), and Michael Eggermont (bass) got together with the intent of rocking out Calgary along with the catch one's breath of Canada. For the next span of days to come, Chixdiggit! would go through an array of drummers earlier settling downward with Jason Hirsch the undermentioned yr. Armed with a bratty Ramones-influenced pop effectual, they took their antics across Canada and the northwestern United States for the next couple days earlier releasing their first record album on Sub-Pop in 1996. Even though the self-titled album was a critical attain and gave them worldly recognition, it didn't go along with the musical counselling that Sub-Pop precious to take. Not as well long afterwards Chixdiggit! and the label parted slipway in 1997, they were immediately sign-language to Honest Don's Records. Their secondment album, Born on the First of July, was finally released the next class. Their sophomore feat, From Scene to Shining Scene, was released in mid-2000. Pinko Razors appeared in April 2005 on Fat Wreck.

Download Lindisfarne mp3

Artist: Lindisfarne: mp3 download    Genre(s):  Other     Discography:      The Best Of    Year: 1989    Tracks: 16 Lindisfarne scantily commands more than a footer in most tilt character books. During the early '70s, however, Lindisfarne was unitary of the hottest folk-based rock bands in England, with graph placements on iI of their albums that rivaled Jethro Tull, and had them proclaimed one of the to the highest degree important groups of the ten. With a sound that sundry mournful folk-like melodies, earthy just well-sung harmonies, and acoustic and electric textures, the group seemed poised for international success, when a serial of inauspicious artistic decisions, followed by a split in their lineup, left them bereft of audience and success. Singer/guitarist Alan Hull (b. Feb. 20, 1945), guitarist Simon Cowe (b. Apr. 1, 1948), mandolin player Ray Jackson (b. Dec. 12, 1948), bassist/violinist Rod Clements (b. Nov. 17, 1947), and drummer Ray Laidlaw (b. May 28, 1948) all hailed from Newcastle-on-Tyne, England, and the surrounding area. At some point, they were known as Downtown Faction, only they took their conversant musical form below the diagnose Brethren. The band became a very popular playact on the college circumference, playing what was known as "good time" music, singalong numbers resembling (or straightaway derived from) pub songs in which audiences could luxuriate, normally with Jackson's harp honking along. Alan Hull had a background in kinfolk music which enabled him to freely incorporate that influence, and he was the major songster and singer in the lot. In 1968, they ascertained that an American group was already using the name "Brethren," and the Newcastle group rechristened itself Lindisfarne, taken from the key out of an island off the coast of Northumberland in Northern England -- the island Lindisfarne (likewise known as "Sanctum Island") is most noted for its early medieval monastery and palace and the ancient "Lindisfarne Gospels" knightly manuscript. The new key out accommodate the times and the group's effectual, which was evolving in the focus of folk-style music. The group was signed to Tony Stratten-Smith's Charisma Records, England's premier progressive stone label, in 1970. They released their low (and best) album, Nicely Out of Tune, that same year. Their debut album captured the group's best attributes, a frolicky, offbeat, optimistic collection of hippie/folk music, somewhere midway betwixt Fairport Convention and the early Grateful Dead, with a especially urban, English wage-earning ambience. Their "Englishness," joined with the now and then uneven quality of their songwriting, whitethorn excuse one major intellect wherefore Lindisfarne never achieved more than a lilliputian cult following in the United States. Nicely Out of Tune contained one wistfully amatory number, "Lady Eleanor," which became a favorite bit in the band's concert repertoire, and seemed destined to find an audience. The album and the "Lady Eleanor" unmarried failed to chart, but the group's live shows only grew in popularity -- by the end of 1970, they were able to take for £1500 a night from promoters, a far cry from the £300 they had been acquiring on the college circuit. Their irregular album, Fog On The Tyne, released in 1971, marked their commercial breakthrough -- a assembling of earthy, folk-type taphouse songs, Fog On The Tyne entered the British charts in October of that year and began a slow climb into the middle reaches. In February of 1972, however, the group's label belated issued a single off of the record album, "Meet Me On The Corner." That record was number five on the charts the following month, patch Fog On The Tyne all of a sudden rose to the routine one smirch. Within a affair of weeks, Nicely Out Of Tune entered the charts for the first time and eventually strike number eight; "Lady Eleanor," reissued in June of 1972, made it to number terzetto. That was when the media hype kicked in, raising expectations and aspirations for a mathematical group that, until four-spot months in the beginning, had been a pleasant folk-rock outfit with a solid cultus following. Alan Hull was referred to in the press as the about important new ballad maker since Bob Dylan, and Lindisfarne was saddled with the designation as "the 1970s Beatles." Up to this clock time, the group had played in England and Wales, merely, apart from ane show in Scotland and individual forays to Paris and Holland, its members hadn't even pondered the notion or implications of an international career. It all seemed also expert to last, and it was. Later on in 1972, later on a unrestrained period capitalizing on one and only massive success after another, the band released their third album, Dingly Dell. The album was troubled from the start out. The record's manufacturer was Bob Johnston, the American world Health Organization had worked on Bob Dylan's King John Wesley Harding, among many other records, and wHO had likewise produced Fog On The Tyne. The ring had a dropping out with Johnston over Dingly Dell, and remixed the album themselves immediately prior to release. The resulting record had a selfsame frizzly level-headed, very upfront, and more of a mainstream intemperate rock and roll profound than their previous deuce long-players. Unfortunately, this was not the move that the critics had wanted or expected of the ring -- they wanted a richer, more progressive folk-type sound, in some ways closer to Fairport Convention, not the harder, more basic level-headed that they set up here. Additionally, the songwriting didn't match the prior deuce albums, and nobody was drawing comparisons betwixt Alan Hull and Dylan over the songs on Dingly Dell. Ironically, this album came out at exactly almost the time the group was in the process of gaining a low following in America, although they never very had practically probability of succeeding. Their association with Charisma Records meant that they were afforded a listen by the American progressive rock candy audience, and to some limited extent their miscellanea of folk and careen was "progressive." In reality, Lindisfarne was closer in spirit and music to such hard-rocking bands as Brinsley Schwarz, Bees Make Honey, and Eggs Over Easy, absolutely lacking the pretensions requisite for a prog-rock band. Under other circumstances, the record album would have been passed over by most critics as nix more than a slightly dissatisfactory lapse, simply reviewers and journalists seemed bent on revenge for the group's failure to uprise to the praise and plug lavished on them over the premature year. The record and the group were universally savaged, although it soundless got to number five on the charts and yielded one modest hit, "All Fall Down." The ring toured America, merely discovered that American listeners and critics establish their sound too oddly English -- in the wrong slipway -- to rattling accept Lindisfarne. The chemical group was never remotely as popular as their Charisma labelmates Genesis, wHO were thirstily snapped up by Atlantic Records once their Charisma contract was up. Cowe, Laidlaw, and Clements exited the band in early 1973 and formed a raw chemical group called Jack The Lad, which specialised in a harder, more basic pub-rock heavy, and went on to button three albums on Charisma. A live Lindisfarne album, featuring the original lineup and songs by and large cancelled of the first iII albums, was issued by Charisma in 1973, but it s at best a holding legal action. Later that year, Alan Hull and Ray Jackson were back preeminent a thomas Young Lindisfarne father hold, featuring Ken Craddock on guitar, keyboards, and vocals, Charlie Harcourt on guitars, Tommy Duffy on bass part and vocals, and Paul Nichols on drums. Their number 1 album, Roll On Ruby, was a vital and commercial failure. Hull embarked on a solo transcription vocation at around this same sentence, which seemed to draw away noneffervescent more than of Lindisfarne's original audience. As the school principal ballad maker and voice of the group, and unrivalled of two original members, he held Lindisfarne's public punter than the young Lindisfarne did. The band switched to Warner Bros. for their side by side album, Well-chosen Daze, but it fared no punter. By 1977, Jack The Lad had called it quits and Cowe, Clements, and Laidlaw were back with Lindisfarne. Hull as well recorded with Laidlaw and Craddock under the grouping name Radiator on the Rocket label, releasing a single album, entitled Isn't It Strange. Lindisfarne switched labels once again to Mercury and debuted with a double live album, Magic In The Air, with songs drawn from the group's first three albums. The band remained inviolate, and on Mercury, for two more long-players, Back & Fourth (1978), which yielded a geminate of modest hits in Alan Hull's "Consort For Home," a song that sounds more like Springsteen than Springsteen does, and "Warm Feeling"; and The News (1979), all to little lasting commercial avail. They remained a reasonably popular concert attraction -- especially in Newcastle and the circumferent arena -- into the early '80s, and ingest continued to record and reunite for concerts periodically in the old age since. During the early '80s, they organized Lindisfarne Musical Productions and began releasing their work on the LMP label, including a live album cut in 1983. Their live recordings, featuring novel renditions of their classic early '70s material, seem to draw the sterling enthusiasm. Alan Hull has as well maintained a single out solo life history, and fans of the group should emphatically have his Back to Basics CD, on which he does live acoustic versions of his topper songs from 1970 ahead.

Orphan Gets Life-Saving Heart Surgery

Lisa Paolitto hadn't found her "Mr. Right," but that didn't diaphragm her from fulfilling her dream of having a child.

But thither was a medical hurdle Paolitto aforesaid she wasn't quite expecting when she took her daughter to Johns Hopkins Hospital for a full physical interrogatory. Eventually, the new mother found herself not exclusively helping Samantha adjust to life in America, only also portion to train her for major heart surgery.

For Americans looking to adopt internationally, China is one of the to the highest degree popular choices for several reasons. All foreign adoptions are centralised under the Chinese political science and the China Center of Adoption Affairs works with selected adoption agencies in the United States to match children to families based on the adoptive parents' dossier.

Because of the ethnic imperative of having males in a family and the laws that terminal point family size, thousands of baby girls are abandoned every year in China, at places like supermarkets and aim stations.

"I know about their one-child policy and I knew that I wanted a fille," Paolitto aforesaid. "And it would be easier to adopt a girl from China."

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Gratitude

   
Artist: Gratitude

   Genre(s): 
Other
   

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Discography:


   
 Gratitude

   Year: 2005   
Tracks: 12

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Gratitude included Jonah Matranga of Far and Onelinedrawing and ex-Crumb guitar player Mark Weinberg, rounded out by bassist Bob Lindsey, guitar player Jeremy Tappero, and drummer Dave Jarnstrom. In March 2005 the San Francisco-based lot issued its self-titled Atlantic debut, a merry correct that looked to Weezer and Jimmy Eat World for influence.





The Otwz

Minilogue

   
Artist: Minilogue

   Genre(s): 
Dance
   Techno
   Electronic
   House
   Trance
   Other
   

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Discography:


   
 Space Ep

   Year: 2007   
Tracks: 2


   
 Seconds Remixes

   Year: 2007   
Tracks: 2


   
 Orglar

   Year: 2007   
Tracks: 2


   
 Inca

   Year: 2007   
Tracks: 2


   
 Elephants Parade

   Year: 2007   
Tracks: 2


   
 The Leopard EP

   Year: 2006   
Tracks: 2


   
 Out Of The Curious CDS

   Year: 2006   
Tracks: 2


   
 Hitchhikers Choice EP CDS

   Year: 2006   
Tracks: 3


   
 The Girl From Botany Bay

   Year:    
Tracks: 2

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K3

Blige Helps Shoppers Dress Dream Come True

MARY J. BLIGE turned fairy godmother for one New York fan last week (ends13Jun08) when she offered to help pay for a high-end designer dress.

The R+B star was shopping at the Diane Von Furstenberg store in downtown New York when she overheard a fellow customer complaining about the price of a dream dress she had put on hold.

At $900 (GBP450) the dress was $400 (GBP200) more than the cash-strapped shopper had expected, and so Blige stepped in to pay the difference.

The stunned buyer initially refused to accept Blige's help, but when the Family Affair hitmaker said, "I know what it's like to want something and not be able to have it," and insisted on buying the garment, the happy shopper bagged her dress and then asked for Blige's details so she could repay her.

But the generous singer said, "Just enjoy it. I'm blessed, so let me do this," according to MTV News.

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Shia LaBeouf's 'Stained' Briefs Up For Auction

Shia LaBeouf’s underwear is up for grabs on eBay.com!
Bidding on the actor's costume from the his 2006 movie film  A Guide to Recognizing Your Saints currently stands at $400.
The auction reads:
OWN SCREEN WORN SHIA UNDERWEAR!
PLEASE NOTE: COSTUME IS "AS IS" WHICH INCLUDES MAKEUP STAINS, DIRT; ETC! (Again, these items was worn and used for filming by Shia)
This costume was worn by Shia in the film, "A Guide to Recognizing Your Saints".
You receive, a pair of grey sweatpants, a pair of white breifs and ankle socks. Each items is tagged "YD" (meaning: the character Young Dito as played by Shia in the film)!
This item comes with a letter of authenticity from First Look Media and an explanation of it's donation to Actor's Equity! It is noted by First Look that this item is "one of a kind" ...and indeed it is!
Happy bidding!

Raul Seixas

   
Artist: Raul Seixas

   Genre(s): 
Latin
   Pop
   Rock
   Other
   

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Discography:


   
 Raul Seixas - Os 24 Maiores Sucessos da Era do Rock

   Year: 2001   
Tracks: 11


   
 A Panela Do Diabo

   Year: 1989   
Tracks: 11


   
 Metamorfose Ambulante

   Year: 1988   
Tracks: 11


   
 A Pedra Do Genesis

   Year: 1988   
Tracks: 10


   
 Uah-Bap-Lu-Bap-Lah-Bein-Bum

   Year: 1987   
Tracks: 9


   
 Caroco de Manga

   Year: 1987   
Tracks: 12


   
 Camisa de Venus - Duplo Sentido

   Year: 1987   
Tracks: 17


   
 Raul Rock Vol. 2

   Year: 1986   
Tracks: 11


   
 Caminhos

   Year: 1986   
Tracks: 11


   
 Let Me Sing My Rock'n'Roll

   Year: 1985   
Tracks: 12


   
 Unico E Exclusivo [Ao Vivo]

   Year: 1984   
Tracks: 9


   
 Metro Linha 743

   Year: 1984   
Tracks: 10


   
 Raul Seixas

   Year: 1983   
Tracks: 13


   
 Os Grandes Sucessos de Raul Seixas

   Year: 1983   
Tracks: 14


   
 O Segredo Do Universo

   Year: 1983   
Tracks: 10


   
 O Pacote Fechado De Raul Seixas

   Year: 1983   
Tracks: 13


   
 Colecao Eldorado: Raul Vivo

   Year: 1983   
Tracks: 18


   
 Carimbador Maluco

   Year: 1983   
Tracks: 13


   
 A Arte de Raul Seixas

   Year: 1982   
Tracks: 22


   
 O melhor de Raul Seixas

   Year: 1981   
Tracks: 12


   
 Abre-Te Sesamo

   Year: 1980   
Tracks: 12


   
 Por Quem Os Sinos Dobram

   Year: 1979   
Tracks: 9


   
 Mata Virgem

   Year: 1979   
Tracks: 10


   
 O Dia Em Que a Terra Parou

   Year: 1978   
Tracks: 10


   
 Raul Rock Seixas

   Year: 1977   
Tracks: 10


   
 Ha 10 Mil Anos

   Year: 1976   
Tracks: 11


   
 O Medo da Chuva

   Year: 1975   
Tracks: 4


   
 Novo Aeon

   Year: 1975   
Tracks: 13


   
 Gita

   Year: 1974   
Tracks: 12


   
 Os 24 Maiores Sucessos Da Era Do Rock

   Year: 1973   
Tracks: 10


   
 O Rebu

   Year: 1973   
Tracks: 14


   
 Krig-ha Bandolo

   Year: 1973   
Tracks: 11


   
 Sociedsde da gr Ordem Kavernista apresenta Sessio da dez

   Year: 1971   
Tracks: 12


   
 Raulzito E Os Panteras

   Year: 1967   
Tracks: 12

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Raul Seixas was a central rock 'n' roll musician in Brazil. Along with his expressive discography, whose hits preserve to be re-recorded by Caetano Veloso, Margareth Menezes, and others, Seixas' part in continuing the work of establishing the foundation of Brazilian rock candy was of first-class honours degree importance.


Influenced by João Gilberto, Luiz Gonzaga, and rockers Bill Haley and Elvis Presley (whose albums were lent to him by some friends wHO worked at the American Consulate in Salvador), Seixas formed a band called the Panthers (after Os Panteras) in 1959. The rock candy quartet (guitar, bass, drums, lead vocals by Seixas) was the first to utilise electric instruments in Salvador, playing a crazy motley of rock'n'roll and baião, with interpretations of Luiz Gonzaga tunes. The surreal performances were felt as a real danger to parents wHO banned their children from attendance. The band translated the Jovem Guarda palpate in Bahian footing, just Seixas didn't take it too in earnest, enrolling in college courses of philosophy, law, and psychology. He took contact with anti-psychiatry, abandoned all those courses, and matrimonial an American daughter wHO was the girl of a Protestant sermonizer. His wife used to be the head of the family line, educational activity English for a living patch he victimised to run Salvador in the sunup on a bike bought with the money saved by her to buy an apartment, since they had to live with Seixas' household. In 1967, Jerry Adriani did a live performance in Salvador, at which he was accompanied by the Os Panteras. Loving the group's sound, Adriani positive them to move to Rio, where they recorded through Odeon their first LP, Raulzito e os Panteras, where Seixas explored metaphysical questionings and the 7 Aristotelian questions. Needless to read, the record album was altogether neglected by the public. Adriani and so took Seixas to CBS, where Seixas produced albums by Trio Ternura, Osvaldo Nunes, Renato e seus Blue Caps, Adriani, Wanderléia, and all the iê-iê-iê (the sobriquet of English rock candy in Brazil, after "She loves you, yeah, yeah") gang. It was and so when Seixas hired deuce novices from Bahia, Sérgio Sampaio and Edith Cooper. Together with Miriam Batucada, they recorded an record album called Sociedade da Grã-Ordem Kavernista Apresenta a Sessão Das Dez. The album, strongly observational, amalgamated jazz and marchinhas and dealt philosophically with chaos, was retracted by CBS short afterward its discharge and Seixas was right away fired. The fire was also due to Seixas' highly influential execution at the 7th International Song Festival (FIC) in 1972 with "Allow Me Sing, Let Me Sing" and "Eu Sou eu, Nicuri é o Diabo." CBS didn't want to bear a producer wHO was likewise a lead. But the carrying out implanted Seixas in a focal position regarding stone & roll up done in Brazil, both for its lovers and detractors. That same year, he was hired by Philips, recording the LP Os 24 Grandes Sucessos da Era do Rock, beingness credited only as producer and transcriber. In 1975, when Seixas was already famous, the record album was re-released as 20 Anos de Rock, right away with Seixas' due deferred payment as a performing artist. Around this period, Seixas became friends with internationally successful esoteric writer Paulo Coelho, after a imagination of a flying saucer in the Barra da Tijuca shared out by both. Coelho would participate in nigh of Seixas' future hits. In 1973, the second LP, Krig-ha, Bandolo, brought Seixas' number 1 vainglorious hit as interpretive program, "Ouro de Tolo." The album besides had other important songs, such as "Al Capone," "Mosca na Sopa," and "Metamorfose Ambulante." The duo besides produced unrivaled reach later on another with "Gitâ" (from the eponymous LP from 1974), "Tente Outra Vez" (from Novo aeon, 1975), "Eu Nasci Há dez Mil Anos Atrás" (1976), "Maluco Beleza," and "O Dia Em que a Terra Parou" (the latter 2 from the number one WEA album O Dia Em que a Terra Parou, 1977, the latter seemly the anthem of hippiedom in Brazil).


His eight subsequent LPs, disruptive by his patronize changes of transcription labels and health problems due to involvement with drugs and alcohol, had the hits "Como Vovô Já Dizia" (1975), "Rock Das Aranha" (1980), "Rodeo rider Fora-Da-Lei" (1987), "Capim-Guiné," and "Carimbador Maluco" (1983, the latter having been included in the children's musical Plunct, Plact, Zuum of TV Globo). In 1989, Seixas became pardner of Marcelo Nova, a longtime adorer and adherent wHO had formed and dissolved the kindling rock chemical group Camisa de Vênus. The album Panela do Diabo, released that year through and through Warner, brought a weakened Seixas, wHO would be more and more asthenic by the subsequent turn. His death in August of the same yr hadn't wasted the fervour of his legion of fans. He was the number 1 Brazilian creative person to have an LP organized and released by a fan nightclub, the 1985 compiling Let Me Sing My Rock-and-Roll was of rare recordings (which was later re-released by Polygram as Caroço de Manga). His songs were re-recorded by, among others, Caetano Veloso ("Ouro de Tolo"), Irmãs Galvão ("Tente Outra Vez"), Margareth Menezes ("Mosca na Sopa"), Deborah Blando ("A Maçã"), and RPM ("Gitâ"). In commemorating the 50-year day of remembrance of his birth in 1995, the book O trem hyrax Sete (Nova Sampa) was released and his number 1 LP, Sociedade Grã-Kavernista Apresenta Sessão hyrax Dez, was re-released in CD format.